Edited By
Ravi Patel
A wave of discussion has emerged around Studio Pierrot and its production lines, particularly regarding the acclaimed Bleach: TYBW and Yona of the Dawn. Fans agree that these titles showcase the studio's best work, with some urging a shift in projects to other studios.
Community buzz highlights mixed feelings about Pierrot's current projects. Users on forums remarked that while Bleach: TYBW shows the studioโs strength, other ongoing projects might benefit from a change.
Many community members are vocally supporting a handover of rights for Tokyo Ghoul, suggesting studios like Wit, MAPPA, and Bones have the talent to enhance adaptations. One comment notes, "I could see Wit, MAPPA, Madhouse, or Bones doing a far better job of adapting the material."
Given Pierrotโs recent output, some fans question whether Pierrot should keep Tokyo Ghoul close. One user remarked, "They did nothing. This is just info."
The mention of production lines raises questions on their future direction. Will adjustments improve animation for existing properties, or will it be new projects? Comments indicate uncertainty; for instance, one user posed, "Production lines? What are they going to do now?"
Fans have voiced strong opinions on these issues:
"Makes perfect sense that Bleach: TYBW and Yona of the Dawn were done by the same team."
"I feel mappa is far too busy right now to pick up another project, but they are a safe option."
"Tetsufumi Hotta is Tokyo Ghoul production line. If they make something, it will be in their team."
Much of the sentiment leans positively towards the past works of the studio but acknowledges the challenges ahead. As the conversation continues, will fans see a shift in how their favorite series are handled?
๐ฉ Calls for rights shift to studios like Wit or MAPPA
๐ฝ๏ธ Uncertainty surrounding future production lines
๐ฃ๏ธ "Makes perfect sense that Bleach: TYBW and Yona of the Dawn were done by the same team."
๐คทโโ๏ธ Mixed feelings on studio capacity for upcoming projects
As Studio Pierrot navigates these discussions, the future of anime adaptations may be in flux. The community remains engaged, questioning how projects should evolve in the competitive landscape of anime production.
Given the ongoing discussions within the community, thereโs a strong chance that Studio Pierrot might consider relinquishing some rights to titles like Tokyo Ghoul in favor of allowing other talented studios to take the reins. This move could improve the quality of adaptations, especially as studio capabilities draw more scrutiny. Experts estimate around a 60% probability that Pierrot will re-evaluate its projects due to mixed fan sentiment. Transitioning production lines could also lead to new opportunities, as some believe that if Pierrot canโt maintain high standards, it may push the company to focus on fresh projects rather than clinging to past titles.
This situation bears a striking resemblance to the landscape of film direction during the early 2000s, when established directors were often replaced by newer, rising talents. Much like how studios began to take risks on lesser-known filmmakers, the anime industry might now see a similar shift where more established titles are passed to fresh teams, ultimately reinvigorating the adaptations with new perspectives. The outcome could hinge on how willing Studio Pierrot is to embrace change, as history shows that adaptation is often the key to survival in a competitive creative industry.