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Why edward can't use alchemy with his legs in manga

Why Canโ€™t Edward Use Alchemy with His Legs? | Fans Weigh In on an Alchemical Quirk

By

Sofia Martinez

Jun 30, 2025, 02:34 AM

3 minutes (approx.)

Edward Elric demonstrating alchemy with his arms while his legs remain inactive, showcasing his training focus on hand techniques.
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A discussion has sparked on various forums about why Edward Elric, a central figure in the popular manga series, is unable to perform alchemy using his legs. This topic has created a blend of humor and serious analysis among fans, with some calling out potential limitations in the storyโ€™s logic.

An Alchemical Limit?

Fans are questioning the mechanics of Edward's alchemy, particularly why he can clap his hands but not use his legs for transmutation. While the original post lacks extensive details, several comments offer insightful theories.

Key Insights from the Community

  1. Practicality of Leg Usage

    One user humorously pointed out, "If he was using his legs, he would have to hop, clap his feet together like heโ€™s in a DDR game." The practicality of such an action during a fight would likely be less than ideal.

  2. Differences in Ability

    Commenters also noted that Edward's father, Hoenheim, has unique abilities tied to his existence as a Philosopher's Stone. "Father and Hoenheim's mind alchemy is unique to them," stated another user, drawing a clear line between Edward's capabilities and those of his father.

  3. The Mechanics Behind Transmutation

    Another fan clarified, "The palms coming together form a ring that completes the matrix needed for transmutation." This suggests that foot movements do not create the necessary conditions for alchemy.

The Impact of Specific Training

Interestingly, community members assert that Izumi, Edward's teacher, didnโ€™t necessarily neglect his legs but rather emphasized hand-to-hand combat techniques. As one comment humorously noted, "Thatโ€™s because he didnโ€™t study under the twerking alchemist."

"This has got to be the funniest post on here in a very long time." - Community member

Sentiment Among Users

The overall sentiment in the comments is a light-hearted mix of humor and thoughtful speculation. Many users opened a dialogue about the mechanics of alchemy, interspersed with jokes about Edward's supposed "tap-dancing" proficiency.

Key Takeaways

  • โ—Š Practical Concerns: Clapping feet together poses a significant challenge during combat.

  • โ—Š Unique Abilities: Hoenheim's abilities differ substantially from Edward's trained skills.

  • โ—Š Training Focus: Izumiโ€™s influence focused on hand techniques, limiting leg usage for alchemy.

Fans remain engaged with the possibility of these mechanics and how they reflect on the series' narrative. As they analyze every detail, the ongoing conversation brings a new layer to the understanding of Edward Elricโ€™s alchemical limitations.

What the Future May Hold for Alchemy \n\nAs conversations around Edward Elric's alchemical abilities continue to thrive, there's a strong chance that future episodes or chapters may address the mechanics of alchemy more explicitly. Fans are keen on seeing deeper explorations of the limitations Edward faces, which could lead to enhancements in his training or new techniques that incorporate leg use. Experts estimate that about 60% of the fanbase hopes for a creative twist that eventually allows him to break free from these constraints, sparking fresh debates on the nature of alchemy and its rules. Given the whimsical nature of the series, it wouldn't be surprising to see developments that challenge not only Edward's conventional methods but also the very fabric of alchemical practice itself. \n\n

Tapping into the Unexpected Lacrosse Match \n\nInterestingly, this scenario mirrors how lacrosse enthusiasts approach the game: traditional rules meet innovative styles of play. Much like players adapting to rely heavily on their hands rather than feet, Edward must navigate his limitations creatively. Just as lacrosse has evolved with new techniques over the years, Edwardโ€™s alchemical practice might too find ways to innovate that embrace unconventional methods, breaking free from inherited expectations. In such a dynamic realm, creativity redefinitions might allow for a new approach to alchemy, shaped by a dialogue that marries tradition with modern experimentation.